Hmm, that was an interesting read, i am listening a bit to the music right now, though i am hoping it will be unique enough, because i have not been impressed by the references to other bands (like Within Temptation and Tool), of course you guys know my main avenue of interest is electronica, but I currently had quite the influx of progressive rock from roommates, including bands that are quite ok like 65daysofstatic, Dirty Three and Laura.
However, and maybe you should have skipped the part, i am distracted a bit about the part on piracy, about which i have a wholly different ideas - as in i support the group of artists that went towards internet/sales, evading groups i dont want to give a nickle, allowing me to try before i buy, and in some case allowing me to scale my level of enjoyment in the amount of donation i give, also ensuring everything ends up with the musician. I dont even really like music on cd anymore because it indeed overcharges, while the disc usually contains only a few highlights and usually doesnt get to the full length at all. (I have several albums lying around that would fit in 3:1). I also like the tendency of making most revenue from gigs, with music being a free form of advertisement, but there is indeed a problem in that for starting musicians, but over the last few years the money i spent on music have all been donations to starting bands, which is comes more or less from an idea of feeling they and their labels need to get the most assurance to keep the music coming out. However that has very much to do with my small and experimental niche of music. (let me note that doing this via a way like the site of NAIL is in my view just as good as downloading the files. The only difference being i need to open my browser)
However, all of this as said is a distraction and just my two cents so let me move on with the closing sentence that if I needed to discover my music trough radio-coverage i´d still be listening main$tream overproduced nonsense for the masses.
As for the music, i ahve now listened a track or four, and i must admit its not really my cup of tea, which i already feared a bit, with the main complaint being that it´s too formula/like for my tastes. There are a number of nice moments, especially due to your lead singer, who is indeed very attractive. (mainly due to a great amount of emotion felt in her voice, and seconday due to clarity of the voice)
However the guitar, bass and drum lines are a bit too normal for me, or better said, to predictable. That while especially several guitar riffs are very fine and would have surprised me better if they were set in other places than they are, but then again i´m more of the experimental 'I want to be surprised and I want to listen to a story (and most stories dont repeat chapters

)'.
I am intrigued that this mainly underground and experimental view is described as being Mariah Carey´s view, but i think i should then be along her line. (Though to stay along somewhat/known lines i´d rather attribute such to a vocalist like Regina Spektor), though in NAILs music i agree it should not be applied to the vocalist, but to the drums especially.
But then again, that is also a point on which i slightly disagree,
wow, i just heard bagpipes, thats better

. (best track as of yet by the way, that ´Right Now´ one)
I feel drums can be very very melodic, but that might have to do with my European electronical heritage, most electronic music i listen to has highly varied drumrythms which lead to that line being the melody. (consider Mu-Ziq´s 'Midwinter Log' for example)
Ow and don't point at me like i've done it

, all in all as of yet NAIL might be a band i´d visit if they did a gig nearby, and i also feel it will come to life most played live (which is usually a better place for more formalized music, those stories from above are the better one when i sit in my chair), so let me finish on a nice note, hoping you guys get the big revenue needed to get you to Utrecht.